Coverage

THE APOLOGIST (2026)

THE APOLOGIST asks not what makes a good apology, but how we live with the scars of shared violence.

Film Harbour boards THE APOLOGIST

– BusinessDocEurope (Nick Cunningham) –

An emotional cinematic journey across continents, events, personal and collective trauma and accountability that moves between personal reflection, performance and ritual.
– The Hollywood Reporter (interview by Georg Szalai) –

A subtle thunderclap ★★★★
– FILMUFORIA (review by Meredith Taylor)

MOTHER (2019)

A radical achievement: a love letter to loss, sacrifice and yearning.
This is intimate observational documentary-making of a high standard.
– The Guardian (Charlie Phillips) –

A film that’s moving and always surprising, exploring love and sacrifice that transcend distance and memory.
– Alissa Wilkinson –

A heartbreaking inquiry into the cost of dementia.
– The Guardian (Peter Bradshaw) –

A haunting and gorgeous meditation.
– Kirsten Johnson–

Elephant’s Dream (2014)

Elephant’s Dream masterfully creates a dreamlike listlessness, sad and funny,
that gently hints at great historical tragedy. A beautiful film.
– Joshua Oppenheimer –

One of the most tender and intense films I’ve seen in ages – the agony and the scars of colonialism are most artfully captured in a true film d’ auteur.
– Hubert Sauper –